The “Le Corbusier” collection, as it has been called since the nineteen seventies, would never have seen the light of day without the programme created by Le Corbusier in April 1927. He used sketches to establish the positions of the human body that the seating designs had to refl ect. Of course, there would never have been a collection without the collaboration of Le Corbusier, Pierre Jeanneret and Charlotte Perriand either. Charlotte Perriand was a furniture designer, and was the partner of Le Corbusier and Pierre Jeanneret. She took over the project and in 1928, created the Fauteuil grand confort, grand et petit modèle armchair, the Chaise longue basculante and the reclining Fauteuil dossier basculant small armchair, the swivel Fauteuil pivotant small armchair, along with the Tabouret de salle de bains stool which she had previously designed.
This range of furniture was produced by Thonet from 1930 under the name “Le Corbusier, P. Jeanneret, Ch. Perriand” and was included in the “Des casiers, des chaises et des tables” (containers, seats and tables) concept conceived by Le Corbusier and Pierre Jeanneret in 1925. Heidi Weber, a gallery-owner in Zurich, launched a collection containing a restyled Chaise longue basculante, Fauteuil à dossier basculant and Fauteuil grand confort, grand et petit modèle in Switzerland in 1959. These pieces were built by local artisans and were baptised “le corbusier sitzmöbel/ sièges/chairs”. Distribution was very limited and each model bore the initials “LC”.